November/December 2023 Archives - Woodworking | Blog | Videos | Plans | How To https://www.woodworkersjournal.com/magazine-issue/november-december-2023/ America's Leading Woodworking Authority Wed, 21 Feb 2024 23:32:22 +0000 en-US hourly 1 https://wordpress.org/?v=6.0.7 PROJECT: Sofa Armrest Table https://www.woodworkersjournal.com/project-sofa-armrest-table/ Wed, 21 Feb 2024 23:29:14 +0000 https://www.woodworkersjournal.com/?p=69109 A small section of live-edge slab can bring rustic charm and more practicality to a sofa.

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Live-edge slabs have been trendy solutions for bar tops, mantels, tabletops, shelving and all sorts of cutting boards for many years now. If you can imagine a project where the rugged good looks of a piece of wood in its most natural form might be appealing, don’t be afraid to turn that notion into reality for all sorts of home decor!

Armrest table laid out on sofa arm

That’s exactly what we’ve done here with this sofa armrest table. It started out as a roughly 10″-wide x 30″-long slab of 3/4″-thick walnut. You can find similar slabs at Rockler stores or many hardwood lumber vendors these days. The dark brown heartwood, separated by stripes of walnut’s cream-colored sapwood, can’t help but call attention to itself! And wrapping the slab around the armrest of a sofa not only makes it a conversation piece but also a super handy place to park a coffee cup, your smart device, a bowl of snacks or the game controller you’re using at the moment.

Front view of live edge walnut sofa table

You won’t need a lot of power tools to build this project. It requires the use of a table saw or track saw to make various cuts, Rockler’s Corner Key Doweling Jig to reinforce the miter joints, a drill/driver and a random orbit sander. A tape measure, combination square, several F-style bar clamps and a means of cutting the dowels flush (we used an oscillating multitool, but a flush-cut saw will work fine, too) are about all you’ll need for hand tools.

Cutting the Miter Joints

Sanding down a slab of walnut lumber
Once the top and side panels have been miter-cut to length, give their faces a thorough sanding. Start with 80- or 100-grit to remove any machine marks, then continue sanding up to 180- or even 220-grit.

The sofa shown here has armrests that are about 6-1/2″ wide. So, after crosscutting the ends of the slab square, we found its center point and drew a layout line across it. Then we drew a pair of parallel layout lines across the slab that each were 4-3/4″ away from the center line. Those established the top corners of the table’s top panel; if you draw a 45-degree line back from these layout lines on what would be the edge of the slab, the “bottom” length of this top panel is 8″ — an easy fit over many sofa arms. But be sure to measure the armrest width of your sofa and adjust the length of the top panel accordingly, if needed.

It’s imperative that the slab be held securely when cutting the top panel free of the two side panels, and this becomes trickier if your slab has very irregular edges. One way to do it is by setting the slab on a crosscut sled, aligning the edge of the sled with each of the cutting lines on the slab and miter-cutting them at 45 degrees with the slab clamped to the sled. You could also tip a track saw to 45 degrees and align the edge of the track to follow each cutting line, then cut the top panel free from the rest of the slab that way. A miter saw could be another option, but it will only work safely if both edges of the slab are flat and parallel so you can set them against the saw fence for cutting.

You now need to miter-cut the edges of the two side panels that were abutting the top panel to 45 degrees. Line these cuts up carefully so all you are doing is trimming off the mitered waste but not shortening the side panels in the process. That way, when the table is assembled, the slab’s grain pattern will wrap around the armrest in a continuous “waterfall” style.

With the miter cuts behind you, set the top and side panels together to check that the miter joints form 90-degree corners. Now is also a good time to verify that the length of the side panels will allow the table to sit flat on the top of the armrest without being obstructed by the seat cushions. Shorten the bottoms of the side panels if they are too long for your sofa. Then give the faces of the three panels a finish-sanding up to 180-grit or higher.

Assembling the Table

Using a jig to guide dowel hole cuts
Clamp a top and side panel within the Corner Key Doweling Jig so you can drill diagonal holes across the joint accurately for inserting 3/8″-diameter dowels. Let the bit and drill/driver do the work when boring these holes.

Rockler’s Corner Key Doweling Jig enables you to drive dowels in three different diameters diagonally across miter joints. It reinforces them with a mechanical connection that makes the joints significantly stronger. The dowel ends show through the faces of the joints as ovals, which adds a decorative detail. We followed Rockler’s instructions to set our jig up for drilling 3/8″-diameter dowel holes here. The jig enables you to adjust the position of the dowels within the joint, and we located them to be centered on the joint thickness.

Laying out cuts in panel for assembling table
The authors positioned the dowel holes so the dark walnut dowels would land within the slab’s cream-colored sapwood areas. They used two dowels per joint, but the number and locations of these dowels is up to you.

Both members of a mitered corner are clamped together inside the jig, so you can drill each dowel hole completely through the joint in a single pass. We positioned the dowels for our table about 1-3/16″ in from the front and back edges of the joints, but you could locate them anywhere you like. Same goes for how many dowels you choose to insert in the joints. We think two look good for this project because the walnut dowels we usedcontrast nicely with the light-colored sapwood. But you can use as many dowels as you like.

Filling dowel holes with glue for assembly
Assemble the joints by spreading glue along the mitered surfaces and into the dowel holes, then inserting a length of dowel into the first hole until it extends beyond the opposite side a short amount.

When you drill the holes, don’t try to drill all the way through at once. Drill partway, back the bit out to clear the accumulating chips and then drill some more, letting the drill and bit do the work. Ease up on your hand pressure on the drill when the tip of the bit begins to poke through the other side, to avoid punching it through the joint face and potentially tearing out the surface. The cleaner the exit holes are, the better the dowel details will look!

Cutting dowels to length during assembly
Trim off each dowel so it’s longer than necessary. Work relatively quickly to get both joints assembled and the dowel pins in place while the glue is still wet.

It’s time to round up several bar clamps so you can assemble your table! Since the dowels will hold the joints together, that’s a pretty easy process to do. We spread glue along the mitered edges of one joint, set the top panel and side panel together and inserted a length of dowel into one of the glued dowel holes.

Using bar clamps to assemble sofa table
Apply clamps across the two joints in both directions to pull the seams tightly together. The dowels hold the joints in alignment, which makes this clamping process much easier.

Leave the dowels overly long for now so you can continue to install dowels in the remaining hole or holes of the first joint, then repeat the process for the second joint. Install clamps on the table to pull the joints closed, and wipe off any glue squeeze-out before it begins to cure. Allow the joints to dry for at least eight hours.

Finishing Up

Spraying table with poly topcoat
When the project comes out of the clamps, cut the protruding dowels flush and sand those areas smooth. The authors applied a coat of boiled linseed oil next, before top-coating with aerosol satin polyurethane.

When the clamps come off, trim the ends of the dowels flush with the faces of the panels. Then give the dowel areas another round of careful sanding to smooth them until you can’t detect their ends by feel from the surrounding wood.

Rubbing down finished table with steel wool
Rub down the flat surfaces and edges of the project with 0000 steel wool when the first coat of varnish is fully dry. It will remove dust nibs and other blemishes. Then apply a second coat of finish.

Walnut with sapwood like this is too pretty to cover with stain, so we decided to keep the wood’s color as natural as possible. You can enhance the color and grain pattern, however, by wiping on a liberal coat of boiled linseed oil. Wipe off the excess completely, and give the oil at least a full 24 hours to dry. Then topcoat with oil-based polyurethane in a sheen you prefer — we used satin. The poly will give this project a durable, waterproof surface. Rub out any imperfections, and apply a second coat. When that dries, it’s ready for use on your sofa!

Click Here to Download the Drawing and Materials List.

See more woodworking projects at makingmanzanita.com.

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PROJECT: Compact Plant Stand https://www.woodworkersjournal.com/project-compact-plant-stand/ Thu, 08 Feb 2024 16:00:20 +0000 https://www.woodworkersjournal.com/?p=69005 With bamboo for the undercarriage and crowned by a poured resin top, this plant stand is a striking success.

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Indoor plants bring color and life into our homes. They are small oases of nature that soothe our nerves and please our senses. This small plant stand has a clean design that displays plants without making a fuss about its own looks and yet is attractive to view in its own right.

This design has a round resin “tabletop” that is as ultra-practical as it is impervious to water. Pouring your own resin top gives you the advantage of having nearly unlimited color variations at your fingertips. And that task will be made much easier by using a round silicone mold from Rockler. I have had mixed results making my own molds — breaking the hardened resin free from those molds is a common problem. They can be quite stubborn, and some bad words may have been uttered as I worked to free them. This silicone mold made that step so easy that it’s hard to explain the difference.

The framework of the plant stand is made from a manufactured bamboo board. I’d never used bamboo before, but I have to say I will use more of it now. It is solid and easy to work. Rockler sells a 3/4″ x 8″ x 30″ board that is more than sufficient to make one plant stand.

Starting at the Beginning

Cutting bamboo panel into parts for plant stand
Slice the legs and top pieces from a bamboo board. Bamboo rips nicely and leaves a nearly polished edge in the process. Manufactured bamboo boards are dimensionally stable and exceedingly strong.

Kick the project off by ripping the top pieces and the legs to width on the table saw. As I’ve mentioned, this was my first experience with a manufactured bamboo panel. I was so impressed with the smooth, nearly polished edge that my carbide combination blade formed with these rip cuts. It was super clean.

Crosscutting plant stand panels with miter saw
Crosscut the top pieces to length. Unlike when ripping, bamboo’s fibrous nature tends to leave a ragged edge when cut across the grain. It will need to be sanded smooth later, unless you score it before sawing.

Following that step, I used my miter saw to cut the top pieces to length. As surprised as I was about the smooth ripped edges, I was equally surprised by the fuzz formed on my crosscuts.

Cutting joinery notches with dado blade at table saw
The author used a dado blade in his table saw to form the half-lap joint in the center of the top pieces. Sneak up to the proper depth of cut a little at a time. Remember, each adjustment is doubled when you make the notch, because you are cutting a notch in two interlocking pieces.

Apparently, the fibrous nature of bamboo does not take well to crosscutting. I likely could have improved my success by scribing a line with a knife in advance of the cuts, but I decided to use sandpaper to solve the problem instead.

Routing mortises in plant stand crosspiece
At the router table, plow 3/8″-wide by 3/8″-deep mortises into the top pieces.

With the pieces cut to length, it was time to make the half-lap joint in the center of the top pieces. I used a 3/4″ dado blade in my table saw. Test your setup on scrap pieces. This needs to be a tight joint, so take your time and do it right.

Finished and assembled plant stand crosspiece
Notice that the orientation of the notches must be accommodated so that all the mortises end up.

With that done chuck a 3/8″ straight bit into your router table and use it to form the mortises on the top pieces. It is a “drop” cut, so I made use of a featherboard to help control the operation.

Shaping crosspiece with tapering jig
With the mortises and notches prepared, it’s time to cut the angled ends of the top pieces. Rockler’s small tapering jig is just the ticket to make the accurate and repeatable cuts needed here.

I was able to rout the full 3/8″-deep mortise in one cut. The half-lap joint means these mortises need to be on a specific edge; mark them so you don’t get confused. Finish shaping the top pieces by cutting the angles on their ends.

Legs are Next

Resetting miter saw for cutting plant stand legs
The legs need to be cut to length with the top and bottom ends cut at an angle. A miter saw is a great tool for this task.

You’ve already ripped the legs to width, so now you need to add some details. First, cut the legs to length using your miter saw. Both the top and bottom of the legs need to be angled slightly. Set the angle — 10 degrees — on your saw. Be sure to cut the legs to exactly the same length to avoid a wobbly plant stand.

Cutting end of plant stand leg with miter saw
A miter gauge on a table saw would also do the job nicely. It’s critical that each leg is exactly the same length, or the plant stand will be tippy.

I raised the tenon on the top of each leg using my router table and a miter gauge. I attached a sacrificial fence to the miter gauge and chucked a 1/2″-diameter straight bit into the router.

Routing tenon on plant stand leg top
The author raised a tenon on top of each leg on the router table. A 1/2″-diameter bit cut the 3/8″-long tenons. Attach a sacrificial fence to your miter gauge and secure a stop block to register the cut. Test the setup on scrap lumber.

Setting the bit 3/8″ above the table, I cut a notch in the fence, then clamped a stop block to the fence. Test the setup with scrap lumber until you are raising a 3/8″-tall by 3/8″- wide tenon.

Cutting tenon in table saw leg with band saw
Use a band saw to
start forming the
shoulder of the tenon.

Using a combination of a band saw and hand saw, I squared up the shoulders of the tenons. Finally I used a rasp to round the shoulders to match the rounded ends of the mortises. Test-fit each leg to be confident of a proper assembly.

Trimming plant stand leg tenon with hand saw
 Then use a Japanese hand saw to complete cutting out the shoulder.

Tapering the legs comes next. The taper starts 3-1/2″ down from the top of the leg (minus the tenon) and angles over to leave 1/2″ of bamboo remaining at the bottom of the leg. I set up Rockler’s large tapering jig and sliced the tapers, which cut smoothly and cleanly.

Smoothing tenon edges with rasp
Lastly, use a rasp to round the tenons to fit the mortises you made earlier.

With that done, sand the undercarriage pieces smooth and do a dry-fit to make sure all the parts are correct. Now it’s time to glue and clamp them together. I chose to make two subassemblies using a top piece and two legs each.

Shaping plant stand leg with tapering jig
The last machining step on the legs is to form their long tapers. Using Rockler’s large tapering jig is a no-fuss method to get it done. You could also cut the tapers on a band saw and sand the edges smooth.

I let the glue cure then applied glue to the half-lap joint and clamped the subassemblies together. I chose Titebond III, as it’s a darker color that matches the bamboo, but any wood glue would work just fine. After all the glue had cured, I broke the edges of the pieces with 220-grit sandpaper.

Dry fitting plant stand base parts
Test-fit the legs and top pieces. If they fit together well, go ahead and glue and clamp them up. Prepare two subassemblies consisting of two legs and a crosspiece, then glue and clamp the subassemblies together. Regular woodworking glue works just fine with the bamboo.

You may have noticed that the resin top is lifted slightly above the level of the top pieces. I did that with shelf pins that are usually used to support adjustable shelves in a cabinet. I bored holes for them 3/4″ in from the end of each top piece, centered in the edge.

Screwing plant stand legs in place
With the framework glued together, mark and drill the shelf pin holes. Use dowel points to transfer their locations to the resin tabletop.

Later, I used dowel points to locate the matching holes on the underside of the resin tabletop. This completed the woodworking aspect of the project. I sprayed a few coats of lacquer on the bamboo from an aerosol rattle can. It took the finish well.

Round Resin Tabletop

Measuring out epoxy for tabletop pour
The sky is the limit when it comes to creating resin tabletops for this plant stand. Color, metal flake additives, using a combination of solid wood and wood shavings — all are options.

Epoxy resin work has become exceedingly popular when combined with woodworking. Rockler’s silicone molds make that work so much easier.

Stirring green dye into epoxy mix

Measure your components carefully — by weight is best, but volume will work reasonably well. Using a mold release spray is also a sound technique … work smarter, not harder. Imagination and attention to details are the keys to great-looking resin products.

Adding blue epoxy to a green base

Careful measurement of the resin and hardener is critical to success. Mix the two components together well, then add color, should you so choose.

Stirring green and blue epoxies together to create patterns

Combining colors and decorative agents adds variety to resin work. Rockler’s round silicone resin mold forms a perfect circle, and it also makes it so easy to remove the hardened resin when it cures. One trick in creating interesting swirls is to wait for the resin to just barely begin to harden and then move the stir stick across the shape in irregular and abstract patterns.

Topping it Off

Epoxy with a translucent green top
Transparent top with green dye

I made the choice to make the tabletop from resin for a couple of reasons: first, resin is sturdy and waterproof, and second, it gave me a chance to try out Rockler’s new round silicone mold. Let me tell you, removing the top from that mold was so easy I could hardly believe it. That feature and the repeatability of the mold really sold me on the concept.

Two tone tabletop created with wood particles and resin
Half solid wood with wood shavings suspended in resin.

I made a few tops with my favorite being a translucent aqua green. To be frank, the tabletop could have been made of wood and the plant stand would be just as functional — but to me, the see-through top really adds to the freshness of this design.

Black and silver tabletop made with resin
Black dye with silver metallic flakes.

Here’s a fun little project to build, and it makes a great gift. If you give them to a few different people, changing the tabletop colors and textures ensures unique gifts for all.

Click Here to Download the Drawings and Materials List.

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PROJECT: Wine Cabinet https://www.woodworkersjournal.com/project-wine-cabinet/ Thu, 11 Jan 2024 22:29:05 +0000 https://www.woodworkersjournal.com/?p=68867 Wine is a traditional and thoughtful gift. This presentation cabinet is a simple but beautiful way to enhance your offering.

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Elegance can be simple in concept and execution, and this wine cabinet is a good example of just that. Made from only five pieces, it is beautiful by virtue of its rich wenge lumber and lifted to another level with its solid-brass hardware.

Small cabinet knobs, hinges and screws
The solid-brass hardware used in this cabinet are quality additions to the project. In this example, knife hinges were the choice, but all of these options are up to the builder.

When building small projects that you want to really make a statement, material selection is one essential key. Perhaps wenge is not a lumber you find attractive. If so, this wine cabinet would look amazing if made of bird’s eye, clouded big leaf or fiddleback maple. Highly figured walnut or quartersawn mahogany would also be good choices. The point is that if the design is basic, the “wow” factor must come from the beauty the wood provides. Then the hardware will enhance the whole. In a simple project, the details will carry the day. In this case, the curly cherry plywood back and the green felt lining add much to the whole, too.

First Things First

Cutting wood to make side panels for wine cabinet
Rip the sides to width and then crosscut them to length. The sides and the door are the most visible aspects of the cabinet.

Whatever species of lumber you choose, select your most attractive pieces for the sides and the door. As always, beauty is in the eye of the beholder, but being intentional about these choices will pay dividends in the long run.

Crosscutting board for wine cabinet panel
Take time to select your most attractive stock for those pieces. This is an essential and subjective step.

Rip the sides to width and then crosscut them to length. We did both on the table saw, but you could cut them to length using a miter saw as well. The dimensions provided in the Material List will accommodate most wine bottles, but if you have specific bottles in mind, measure them to make sure they will fit, and adjust accordingly if needed. With that step done, go ahead and cut the top and bottom pieces to size as well.

We cut out each of these parts from lumber wide enough that we did not have to glue up pieces for the sides, top and bottom.

Gluing together boards to create wine cabinet door panel
Glue up two 5″-wide pieces of lumber to form the door blank. Try to match the color and the figure of the grain for best results. Joint the mating edges for a perfect and hopefully invisible joint.

That was not true for the door. We used 3/4″ x 5″ x 24″ wenge lumber, sourced from Rockler Woodworking and Hardware. The door needs to be just a little shy of 10″ wide, so that required a center glue joint. It was our preference that the door panel look as if it were formed from a single piece of stock, so we took care to match the figure and the color of the two pieces. Joint the mating edges so that they fit together well. Use Titebond III (its darker hue is helpful here), clamp them together and leave them in the clamps overnight. If you are using wenge like we did, that extra clamping time is important because glue joints in wenge can be fussy.

Shaping door edge on router table
Putting an ogee shape on the edges of the top and bottom adds shadow lines and a bit of visual interest.

With the door still in clamps to allow the glue to cure, grab the sides, bottom and top. Go ahead and sand them up to 100 grit, then step over to the router table. The top and bottom pieces require an ogee shape on both faces of their forward edge. All the pieces need 1/4″ x 1/4″ rabbets on their inside edges.

Side view of ogee cut door edge
The shape is fully visible from the ends of the top and bottom as well.

Chuck the ogee bit into the router table and set up the cut on scrap lumber. The shape should leave about a 3/8″ flat area between the two ogees. Again, if you are using wenge, move the pieces slowly across the bit. Wenge can be brittle, and tearouts are common. You may even wish to consider a climb cut to avoid trouble. You can certainly choose another edge shape rather than an ogee, but keep the depth of the shape around 1/4″ to align with the edge of the door.

Recesses cut in wine cabinet panels for adding backing panel
Rabbets to accept the 1/4″ plywood back are formed on the router table. A 1/2″ straight bit is perfect for the task. Note that the rabbets on the top and bottom are stopped, while the rabbets on the sides are not.

Next, chuck a 1/2″-diameter straight bit into the router table. Set the cut to form a 1/4″ x 1/4″ rabbet, checking the setup on scrap lumber. On the sides, rout the rabbet the full length of each piece. Stop the rabbets on the top.

Dowels and Dowel Points

Using doweling jig to cut holes for joinery
Rockler’s doweling jig is a fast and easy way to bore dowel holes into the ends of the sides. To transfer the dowel locations to the top and bottom, we used dowel points. Biscuits or Dominoes would work equally well.

The next step is to join the carcass pieces together. We used dowels to strengthen the joints. In hindsight, biscuits might have been a better choice. There are carefully to length. Next, go ahead and sand the door smooth up through 320- grit. We chose Odie’s Oil for the finish, and with that product, the smoother the better. (It’s another important detail in taking a cabinet like this to the next level.)

Dowels installed on edges of wine cabinet frame pieces
Be sure to mark the sides, top and bottom so you don’t confuse which piece goes where.

When the glue has cured on the carcass, chisel off any glue squeeze-out and sand the carcass up to the 320-grit level as well. (You may wish to install the hinges first, then remove them and do your final sanding.)

Test fitting door before hinge installation
If knife hinges are your choice for your cabinet, one important detail is to size the door to accommodate the small gap between the hinge leaves, as shown in the bottom image. Card stock paper folded in two works perfectly.

Install and then remove the door pull and the feet, then apply the Odie’s Oil. Note that with this hard wax oil, a little goes a long, long way.

Knife hinge installed on cabinet door

Once the finish dries, put the felt pad in the carcass and attach the plywood back. Put a drop of CA glue into the holes where you mount the feet and secure them. Rehang the door with its pull, and you are ready to grab a couple of wine bottles. Enjoy the cabinet, oh … and the wine too!

Click Here to Download the Drawing and Materials List.

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Installing Classic Knife Hinges https://www.woodworkersjournal.com/installing-classic-knife-hinges/ Fri, 17 Nov 2023 16:00:41 +0000 https://www.woodworkersjournal.com/?p=68538 Laying out and forming precise hinge mortises is the key to successfully installing beautiful and functional knife hinges.

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Installing knife hinges is not complicated in concept, but it needs to be precise in execution. For that reason, laying out the mortises you will create for the hinges is the most critical step, as well as sizing the door accurately.

Small gap in closed knife Hinge
Note that there is a slight gap between the leaves of the hinge. When a hinge leaf is set into the wood flush to the wood surrounding it, the gap will provide clearance for the door to swing open.

Screws to attach knife hinge
Quality hinges like these often come with brass screws. Brass screws break easily, so a steel screw is provided to make sure the hole is properly sized and threaded. Drive in the steel screw first, then remove it and install the brass screw.

There are a few things to keep in mind. With a full-overlay situation like this one, you will want a slight space — a scant 1/16″ — between the back face of the door and the front edges of the cabinet carcass to allow the door to swing freely. You achieve that by slightly offsetting the location of the hinge leaf in the door.

Checking location of knife hinge on door blank
Set the knife hinge so the pivot point on the hinge is bisected by the edge of the door. The end of the hinge mortise will determine this placement.

Cutting installation mortise for knife hinge
After the hinge mortise locations have been scribed with a cutting gauge and a marking knife, plow a narrow slot into the mortise area with a router. This removes waste and sets the proper depth of the mortise. Don’t try to cut exactly to the lines of the mortise. Note the plywood clamped to both sides of the door, which provides a wider surface to set the router on.

First use a cutting gauge to scribe the long edges of the mortise and then a marking knife to cut the end of the mortise into the wood. On the door, you can use a router bit narrower than the hinge mortise (1/4″ for this 3/8″-wide mortise) to set the depth and remove some of the material.

Cleaning out knife hinge location with chisel
With a pair of sharp chisels, chop out the mortise to the full width of the knife hinge (here it’s 3/8″). Removing the waste with the router bit sets the depth of the mortise. Test the fit of the hinge leaf as you go.

Marking hinge location on cabinet body
Accommodate for the door gap, then use a cutting gauge to scribe the mortise lines into the cabinet lip. Masking tape allows you to see the markings for the mortise sides.

Clamp the door between two pieces of plywood to provide a wider surface for guiding the router. A wood screw clamp is useful for stopping the router before it cuts beyond the end of the mortise. Then clean up the mortise with a 3/8″ chisel and a wider one.

Cutting installation location for hinge in cabinet with chisel
Chop out the mortise with vertical cuts followed by paring away with the chisel.

Attaching knife hinge to cabinet body
With hinges attached to the door, slide the door and hinges into place on the cabinet. Carefully open the door, then pre-drill screw holes and attach the carcass-side hinge leaves.

To chop mortises into the edges of the cabinet, lay out the location again using a cutting gauge to ensure accuracy. The vertically chop a series of lines about 1 mm apart in the mortise with a 3/8″ chisel. Pare the chopped area away and clean up the edges with a wider chisel. Do this until the mortise is at the proper depth and fits the hinge leaf neatly. Attach the hinges to the door. (Use a steel screw to help tap threads for pilot holes if the hinges come with softer brass screws.)

Cabinet door installed with knife hinge

Finally, slide the door and hinges into place to check its alignment. Then carefully open the door and fasten the hinge leaves to the edge of the cabinet to finish up the installation.

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VIDEO: Routing a Mid-Century Modern Clock https://www.woodworkersjournal.com/video-routing-a-mid-century-modern-clock/ Wed, 08 Nov 2023 22:47:48 +0000 https://www.woodworkersjournal.com/?p=68502 Rob Johnstone meets with the team from Shaper Origin to discuss using the Shaper Origin CNC, using design files and making a unique Mid-Century inspired clock.

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The Shaper Origin Team joined us in the Rockler shop to share some expert tips about how the Shaper system works, sourcing design files, and operating a Shaper Origin.

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Woodworker’s Journal – November/December 2023 https://www.woodworkersjournal.com/woodworkers-journal-november-december-2023/ Fri, 03 Nov 2023 20:44:25 +0000 https://www.woodworkersjournal.com/?p=68464 Projects: Compact Plant Stand, Brick-laid Bowl, Wenge Wine Cabinet and an Armrest Table.

Tools: Festool TSV KEB-F-Plus Track Saw

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Projects: Compact Plant Stand, Brick-laid Bowl, Wenge Wine Cabinet and an Armrest Table.

Tools: Festool TSV KEB-F-Plus Track Saw

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November/December 2023 What’s in Store https://www.woodworkersjournal.com/november-december-2023-whats-in-store/ Wed, 01 Nov 2023 21:46:23 +0000 https://www.woodworkersjournal.com/?p=68456 Check out new tools featured in our November/December print issue, including offerings from Rockler, MICROJIG and Robert Sorby.

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Rockler Straight-Line Rip Hold-Down Clamps
Robert Sorby TRAC Tool Rest Adjustment Collars

MICROJIG MatchFit Dovetail Ratchet Clamp AP

Rockler 4″ Mini F-style Clamps
Rockler F-style Clamps

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VIDEO: Brick-laid Segmented Bowl Advice https://www.woodworkersjournal.com/video-brick-laid-segmented-bowl-advice/ Wed, 01 Nov 2023 18:00:30 +0000 https://www.woodworkersjournal.com/?p=68453 Chris Marshall discusses the processes he used to ensure the proper grain orientation in his segmented bowl matched vertically and horizontally.

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Chris Marshall offers a grain orientation tip for this project’s thin vertical laminations.

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VIDEO: Milling Eastern White Pine https://www.woodworkersjournal.com/video-milling-eastern-white-pine/ Wed, 01 Nov 2023 17:41:15 +0000 https://www.woodworkersjournal.com/?p=68450 Emerald from Lumber Capital Log Yard discusses Eastern White Pine and demonstrates the process of milling lumber from harvested trees.

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Pine lumber has been the backbone of the lumber industry for as long as there has been a lumber business. Our gang at Lumber Capital Log Yard mill some white pine for our education.

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